| Contour levels: an abstraction of pitch space based on African tone systems A Carter-Enyi The Ohio State University, 2016 | 18 | 2016 |
| Hooked on Sol-Fa: the do-re-mi heuristic for Yorùbá speech tones A Carter-Enyi Africa 88 (2), 267-290, 2018 | 10 | 2018 |
| “Lùlù fún wọn”: Oríkì in Contemporary Culture A Carter-Enyi Ethnomusicology 62 (1), 83-103, 2018 | 10 | 2018 |
| Vocal music and pedagogy of Chinese, African, and Indian Genres Y Yang, A Carter-Enyi, N Radhakrishnan, S Grimmer, J Nix | 10 | 2014 |
| Contour Recursion and Auto-Segmentation A Carter-Ényì Music Theory Online 22 (1), 2016 | 9 | 2016 |
| Decolonizing the mind through song: From Makeba to the Afropolitan present Q Carter-Ényì, A Carter-Ényì Performance Research 24 (1), 58-65, 2019 | 8 | 2019 |
| How we got into Drum Circles, and how to get out: De-essentializing African Music Q Carter-Ényì, A Carter-Ényì, KN Hylton Intersections 39 (1), 73-92, 2019 | 6 | 2019 |
| Onset and contiguity: Melodic feature reduction and pattern discovery A Carter-Ényì, G Rabinovitch Music Theory Online 27 (4), 2021 | 4 | 2021 |
| “Bold and Ragged”: A Cross-Cultural Case for the Aesthetics of Melodic Angularity A Carter-Enyi, Q Carter-Enyi Music & Science 3, 2059204320949065, 2020 | 4 | 2020 |
| Melodic Language and Linguistic Melodies: Text Setting in Ìgbò A Carter-Ényì SMT-V 6 (5), 2020 | 3* | 2020 |
| ‘Music More Ancient than Words’: WEB Du Bois’s Theories on Africana Aurality A Carter-Enyi | 3 | 2018 |
| Nwányī n'ákw'ákwà: Ìgbò Tongue Twister Q Carter-Enyi, A Carter-Enyi | 3 | 2017 |
| Perception of syntagmatic tone intervals in Ìgbò and Yorùbá A Carter-Ényì, Q Carter-Ényì Tonal Aspects of Languages, 2016 | 3 | 2016 |
| Semblant motion in Nigerian praise music A Carter-Ényì, D Aina, Q Carter-Ényì, D Huron, A Gomez Annual Meeting of the Society for Ethnomusicology, 2013 | 3 | 2013 |
| Igbo Speech Surrogacy: Preliminary Findings Based on the Oja Flute A Carter-Ényì, NC Amadi, Q Carter-Ényì, C Chukwudozie, J Nwankwo, ... Frontiers in Psychology 12, 653068, 2021 | 2 | 2021 |
| Thirteen Ways to “Hail, Mary”: A Case Study of the 2013 Forum for the Inculturation of Liturgical Music in Nigeria Q Carter-Enyi, A Carter-Enyi Yale Journal of Music & Religion 5 (1), 2, 2019 | 2* | 2019 |
| Music of three continents: Europe, North America and Africa AM Carter-Cohn The University of Texas at San Antonio, 2011 | 2 | 2011 |
| Tone Realization and Register Transformations in Nigerian Art Music: A Formal Analysis of Èkwúèmé and Olúrántí A Carter-Enyi Perspectives of New Music 59 (2), 31-79, 2021 | 1 | 2021 |
| Visualizing Intertextual Form with Arc Diagrams: Contour and Schema-Based Methods A Carter-Enyi, G Rabinovitch, N Condit-Schultz Proceedings of the International Society for Music Information Retrieval …, 2021 | 1 | 2021 |
| A diachronic study of rhythm in Shakespeare performance C Miller, A Carter-Ényì Voice and Speech Review 12 (1), 49-64, 2018 | 1 | 2018 |
Quintina Carter-EnyiUniversity of GeorgiaVerified email at uga.edu
