| The Augmented Bushwalk: Adaptation in Crossmedia Ecologies T Innocent, M Riley Proceedings of the Second Conference on Computation, Communication …, 2014 | 4 | 2014 |
| Contemplative Interaction in Mixed Reality Artworks M Riley, A Nash ISEA 2014, 260-266, 2015 | 3 | 2015 |
| Annual Report from the Lilllydale Alternative Welcoming Society T Innocent, M Riley Public Art Dialogue 12 (1), 74-90, 2022 | 2 | 2022 |
| Easing into Play: Creating invitations for urban play and games U Nguyễn, M Riley DIGRA Australia, 2024 | | 2024 |
| YomeciBand M Riley, U Nguyen We Are Where Now?, 2021 | | 2021 |
| You, Me, Sings M Piantoni, U Nguyen, M Riley The Art, Place and Ideas series, 2021 | | 2021 |
| You, Me, Things U Nguyen, M Piantoni, M Riley Experimenta Life Forms: International Triennial of Media Art, 2020 | | 2020 |
| Re-imagining Bushland Settings Through Location-based AR Mobile Gameplay M Riley, T Innocent, Wilken The Routledge Companion to Mobile Media Art, 2020 | | 2020 |
| YomeciLand x Bunjil Place: The Sounding Body as Play M Riley, U Nguyen, PD Nguyen, M Piantoni EVA London 2020: AI and the Arts: Artificial Imagination, 2020 | | 2020 |
| YomeciLand U Nguyen, M Riley YomeciLand x Bunjil Place, 2019 | | 2019 |
| YomeciLand: Found Sound as Play M Riley, U Nguyen DiGRA 2019 Kyoto, Japan: Games, Play and the Emerging Ludo Mix, 2019 | | 2019 |
| The Augmented Bushwalk: Contemplative Play across Digital Systems and Natural Worlds M Riley Swinburne University of Technology, 2018 | | 2018 |
| Epiphyte M Riley, T Innocent hillsceneLIVE, 2017 | | 2017 |
| LIMINAL| Main St West (Welcome to Lilllydale) M Riley, R Reynolds, T Innocent, K Baker Creative Suburbs, 2017 | | 2017 |
Troy InnocentRMIT UniversityVerified email at rmit.edu.au
