| Exacerbation of panic onstage: Ethnic problems and human rights violations in Yussef El Guindi’s Back of the Throat (2006) ASM Mohammed Studies in Literature and Language 3 (3), 165-173, 2011 | 3 | 2011 |
| Dialogic Problems and Miscommunication: A Study of David Mamet's Oleanna ASM Mohammed The Journal of American Drama and Theatre 21 (No.3), 49-70, 2009 | 2 | 2009 |
| Feminist Periodization as a Structural Component of Wendy Wasserstein’s The Heidi Chronicles ASM Mohammed Journal of American Drama and Theatre 26 (1), 73-96, 2014 | | 2014 |
| Beyond Social Realism: An Avant - garde Reading of Maxim Gorky's The Lower Depths ASM Mohammed Publications of the Proceedings of the 4 th international Conference …, 2009 | | 2009 |
| Serious Meaning in Scribbling: A Semiotic Study of Mac Wellman's School for Devils ASM Mohammed Bulletin of the Faculty of Arts , Assiut University 28 (1), 1-77, 2008 | | 2008 |
| Metadramatic Evocation of Gender and Ethnicity: A Study of Djanet Sears's Harlem Duet SM Mohammed, Ahmed Bulletin of the Facu lty of Arts , Assiut University 28 (1), 78-142, 2008 | | 2008 |
| he Sense of Loneliness and Frustration in William Inge’s Come Back Little Sheba, and Picnic ASM Mohammed Pharos, Journal of ESP Centre 1 (1), 2005 | | 2005 |
| The Concept of Cruelty in Edward Albee’s Who’s Afraid of Virginia Woolf and A Delicate Balance ASM Mohammed Bulletin of the Faculty of Arts , Assiut, 2004 | | 2004 |
| Chekhovian Influence on Lillian Hellman: A Study of the Cherry Orchard and Autu mn Garden ASM Mohammed Bulletin of the Faculty of Arts , Alexandria University, 2002 | | 2002 |
